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NADA PRLJA

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          • Advanced Science of Morphology, walsk
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    • DRAWING / PAINTING
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        • AdaN, call to Borrow, Reuse and to DeArtify (Pilot)
        • AdaN, a call to Borrow (Episode 1)
      • Wall Drawings
      • Department for conservation and restoration
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      • While Waiting for Better Times
      • Advanced Science of Morphology
      • A worker Who Cannot Speak English is No Worker
        • Walking on Water According to Dr. Knipp
    • PUBLIC ART
      • Peace Wall
      • One City, Two Voices – NP
    • SITE SPECIFIC
      • Peace Wall Replica
      • Workers’ Production Line
      • Marry Europe, or Little Match-Seller
    • INTERVENTIONS
      • Bad News Project
      • City Operated
    • LIVE ART / PERFORMANCE
      • I Hate COVID-19 and COVID-19 Hates me
      • International Baroque (After M. Abramovic)
      • Red Discussion 1
      • Do you want to be a Turbo Star?
    • PHOTOGRAPHY
      • Stop the War against Immigrants
      • Other stories…
      • Picture-Perfect Cruelty
      • Wired Houses
      • Aliens Inc.
    • VIDEO
      • Red-iness
        • Red-iness: Gestalt
        • Red-iness: Robespierre
      • West
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        • The rights, I am Bosnian
        • The rights, I am Macedonian
        • The rights, I am Romanian
      • URO ( After M. Abramovic)
      • Glass Factory 1954-94, revisited 2007
      • Give ’em Hell
      • Foreign Language for Beginners
      • Wild and cultivated fruit market
      • Advanced Science of Morphology
      • In Search of Justice
    • WORKSHOPS
      • Obstacles in Becoming Foreign
        • Diktashion
        • Where are you from?
      • Humane Communism
    • ARTISTS BOOKS
      • Scenes from School Life
      • Personality=Software
  • EXHIBITIONS
    • 2020
      • Innsbruck International Biennial of Art
      • AdaN, a Call to Borrow
      • Panic room Or: Leap Into Thinking
    • 2019
      • Adan at the City of Fire
    • 2018
    • 2018
      • Remastered – the art of appropriation
      • Aquisitions
    • 2017
      • Wie du Mir
      • Should I Stay or Should I Go (solo)
      • From Diaspora to Diversities
    • 2016
      • Double Feature # 4
      • Worket Who Can Not Speak English is No Worker
      • Humanistic Communism (Public Space Intervention)
      • Nation / Emancipation
      • Teatri I Gjelbërimit
      • In Search for Common Ground
      • In Search for Common Ground München
      • Where (not) to go?
      • Imaginarium: contemporary video art from Macedonia
      • AKTO Festival
    • 2015
      • Waiting for RAVE
    • 2014
      • SOLIDARITY – an incomplete project?
      • La Bienal del Fin del Mundo
      • Seconds.
      • Demoralised Idealism
    • 2013
      • THE UNBEARABLE LIGHTNESS OF BEING AN ARTIST (solo)
      • How is it Toward the East?
      • IMAGINED COMMUNITIES
    • 2012
      • Condensation
      • LOOPHOLE TO HAPPINESS / Bratislava
    • 2011
      • Kapitalismus Show is Over Insbruck
      • LOOPHOLE TO HAPPINESS / Praha
    • 2010
      • Loophole to Happiness (Lodz)
      • Loophole to Happiness (Budapest)
      • Wild and Cultivated Fruit Market
      • Bless my homeland forever, I, too, will try to forget…
        • 2006
          • Sweetest Dream, Unity and Dissonance in Europe
      • Places of Migration
      • Unexpected Turns
    • 2009
      • THE 28TH BIENNIAL OF GRAPHIC ARTS
    • 2008
      • Taiwan International Video Art Exhibition
      • tit.for.tat. Counter Images for Transcultural Thinking and Acting
    • 2007
      • Recognise
    • Agency for Serious Interests
    • 2005
      • Sculptural
      • Temporary spiritual remediation intimate urban re-vision
      • Nationless: A Continuous Struggle
    • 1999
      • Extension of the frame
    • 1998
      • 1111 Portrait
    • 1997
      • Icon on Silver
  • CATALOGUES
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      • Subversion to Red 58th La Biennale di Venezia
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2017

Imaginarium: Contemporary Video Art from Macedonia

Curator: Jon Blackwood

Gray’s School of Art, Aberdeen University, Aberdeen, UK

Link

 

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