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NADA PRLJA

  • HOME
  • PORTFOLIO
  • CV / BIOGRAPHY
    • BIO [English]
    • БИО (Македонски)
  • ARTWORKS
    • MULTI-DISCIPLINARY PROJECTS
      • / Advanced Science of Morphology
        • Public Art II
        • Installation in the gallery II
        • Advanced Science of Morphology
          • Advanced Science of Morphology, London
          • Advanced Science of Morphology, Rijeka
          • Advanced Science of Morphology, walsk
      • Subversion to Red
      • Daily News Agency
        • NON-Commercial Agency
        • Black News: Honour Killing
        • Pink News
        • 11/03 Madrid
        • Disasters
      • Give to Take
        • Give to Take – Estate Agency
        • Give to Take – Intellectual Property Agency
        • Lonely Heart Agency
    • INSTALLATION
      • Strike
      • Impossible to Predict
      • Should I Stay or Should I Go
      • See me as good
      • Stop War Against Immigrants
      • Kapitalismus Show is Over
      • What Would Happened if We Succeed?
      • Communism, that fallen star of political endeavour
      • AUSTRIA(N)
      • GLOBALWOOD
      • Tomorrow is Mine
      • SLAV.E
      • Jesus Dies for Our Sins
      • BMW
      • Aliens Inc.
      • Purgatorium
      • Local / Global
      • Queue
      • Terroristen
        • Terroristen I
        • Terroristen II
      • Peat Bog Soldiers
    • DRAWING / PAINTING
      • AdaN, call to Borrow, Reuse and to DeArtify
        • AdaN, call to Borrow, Reuse and to DeArtify (Pilot)
        • AdaN, a call to Borrow (Episode 1)
      • Wall Drawings
      • Department for conservation and restoration
      • Patent Oppression
      • While Waiting for Better Times
      • Advanced Science of Morphology
      • A worker Who Cannot Speak English is No Worker
    • PUBLIC ART / Site Specific Art
      • Peace Wall
        • Peace Wall / Press Cuttings
      • Peace Wall Replica
      • Workers’ Production Line
      • City Operated
      • Bad News Project
      • One City, Two Voices – NP
      • Marry Europe, or Little Match-Seller
      • Walking on Water According to Dr. Knipp
    • PHOTOGRAPHY / Documentation of Performance
      • I Hate COVID-19 and COVID-19 Hates me
      • Picture-Perfect Cruelty
      • International Baroque (After M. Abramovic)
      • Red Discussion 1
      • Stop the War against Immigrants
      • Do you want to be a Turbo Star?
      • Other stories…
      • Wired Houses
      • Aliens Inc.
      • Second Chapter
    • VIDEO
      • Red-iness
        • Red-iness: Gestalt
        • Red-iness: Robespierre
      • West
      • The Rights
        • The rights, I am Bosnian
        • The rights, I am Macedonian
        • The rights, I am Romanian
      • EURO ( After M. Abramovic)
      • Glass Factory 1954-94, revisited 2007
      • Give ’em Hell
      • Foreign Language for Beginners
      • Wild and cultivated fruit market
      • Advanced Science of Morphology
      • In Search of Justice
    • WORKSHOPS
      • Obstacles in Becoming Foreign
        • Diktashion
        • Where are you from?
      • Humane Communism
    • ARTISTS BOOKS
      • Scenes from School Life
      • Personality=Software
  • EXHIBITIONS
    • 2020
      • Innsbruck International Biennial of Art
      • AdaN, a Call to Borrow
      • Panic room Or: Leap Into Thinking
      • Anti-festival of Mutations: In Limbo
    • 2019
      • Adan at the City of Fire
      • All That We Have in Common
      • Animai Libars
    • 2017
      • Remastered – the art of appropriation
      • Acquisitions and Appropriations
      • Sculptural
      • Imaginarium: contemporary video art from Macedonia
      • AKTO Festival
    • 2018
      • Strategies of Undoing
      • From Diaspora to Diversities
    • 2016
      • Double Feature # 4
      • Worket Who Can Not Speak English is No Worker
      • Humanistic Communism (Public Space Intervention)
      • Nation / Emancipation
      • Teatri I Gjelbërimit
      • In Search for Common Ground
      • In Search for Common Ground München
      • Where (not) to go?
    • Wie du Mir
    • Sculptural
    • 2015
      • Nationless: A Continuous Struggle
      • Waiting for RAVE
    • 2014
      • SOLIDARITY – an incomplete project?
      • La Bienal del Fin del Mundo
      • Seconds.
      • Demoralised Idealism
    • 2013
      • The unbearable lightness of being an artist
      • How is it Toward the East?
      • Imagined Communities
    • 2012
      • Condensation
      • LOOPHOLE TO HAPPINESS / Bratislava
    • 2011
      • Kapitalismus Show is Over Insbruck
      • Should I Stay or Should I Go (solo)
      • LOOPHOLE TO HAPPINESS / Praha
    • 2010
      • Should I Stay or Should I Go
      • Loophole to Happiness (Lodz)
      • Loophole to Happiness (Budapest)
      • Wild and Cultivated Fruit Market
      • Bless my homeland forever, I, too, will try to forget…
      • Places of Migration
      • Unexpected Turns
    • 2009
      • THE 28TH BIENNIAL OF GRAPHIC ARTS
    • 2008
      • Taiwan International Video Art Exhibition
      • tit.for.tat. Counter Images for Transcultural Thinking and Acting
    • 2007
      • Recognise
      • Agency for Serious Interests
    • 2006
      • Sweetest Dream, Unity and Dissonance in Europe
    • 2005
      • Temporary spiritual remediation intimate urban re-vision
    • 1999
      • Extension of the frame
    • 1998
      • 1111 Portrait
      • SEFair
    • 1997
      • Icon on Silver
  • CATALOGUES
    • SOLO Exhibition Catalogues
      • Subversion to Red 58th La Biennale di Venezia
    • GROUP Exhibition Catalogues
    • MPhil Thesis
    • The Aftermath of Public Art Projects (book in progress)
    • Pavilion (book in progress)
  • BIBLIOGRAPHY & REVIEWS
    • Other Published Materials
  • OTHER ACTIVITIES
    • LECTURING
    • CURATING
      • Exhibitions Curating
      • IN SITU ART FAIR / Artistic Director
    • WRITING
      • MPhil. thesis
  • Artworks for Sale
  • CONTACT

Second Chapter

Second Chapter, by Nada Prlja. 1996. 6 jars, silk screen print, water.
Second Chapter, by Nada Prlja. 1996. 6 jars, silk screen print, water. (detail)
‘Extension of the Frame’ exhibition catalogue, 1998, Exhibition curated by Sonia Abadjieva
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