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NADA PRLJA

  • HOME
  • PORTFOLIO
  • CV / BIOGRAPHY
    • BIO [English]
    • БИО (Македонски)
  • ARTWORKS
    • Subversion to Red
      • Red Discussion 2
      • Red Discussion 1
      • The Collection: She Does What She Wants
      • Red-iness. Videos
        • Red-iness: Gestalt
        • Red-iness: Robespierre
    • Peace Wall
      • Peace Wall / Press Cuttings
    • / Advanced Science of Morphology
      • Advanced Science of Morphology. Marble Arch, London
      • Advanced Science of Morphology. Walks – London and Zagreb
      • Advanced Science of Morphology. ORF Vienna
      • Advanced Science of Morphology. FUTURA, Paraha
      • Advanced Science of Morphology. Rijeka, Croatia
      • Advanced Science of Morphology. Drawings
    • Daily News Agency
      • Disaster Diary
      • NON-Commercial Agency
      • Bad News I
      • Bad News II
      • International Baroque (After M. Abramovic)
      • Disasters: 07/05 London…
      • Disasters: 03/04 Madrid…
    • Give to Take
      • Give to Take – Estate Agency
      • Give to Take – Intellectual Property Agency
      • Lonely Heart Agency
    • Strike
    • Impossible to Predict
    • Should I Stay or Should I Go
    • See me as good
    • Stop War Against Immigrants
    • Kapitalismus Show is Over
    • What Would Happened if We Succeed?
    • Communism, that fallen star of political endeavour
    • AUSTRIA(N)
    • Queue
    • GLOBALWOOD
    • Terroristen
      • Terroristen I
      • Terroristen II
    • SLAV.E
    • Tomorrow is Mine
    • Jesus Dies for Our Sins
    • BMW
    • Peat Bog Soldiers
    • AdaN, call to Borrow, Reuse and to DeArtify
      • AdaN, call to Borrow, Reuse and to DeArtify (Pilot)
      • AdaN, a Call to Borrow
        • Adan Call to Borrow
    • Local / Global
    • Aliens Inc.
    • Wall Drawings
    • Purgatorium
    • Department for conservation and restoration
    • While Waiting for Better Times
    • A worker Who Cannot Speak English is No Worker
    • Patent Oppression
    • Do you want to be a Turbo Star?
    • Stop the War against Immigrants
    • Wired Houses
    • Scenes from School Life
    • Personality=Software
    • Aliens Inc.
    • Second Chapter
    • Peace Wall Replica
    • Workers’ Production Line
    • Picture-Perfect Cruelty
    • City Operated
    • I Hate COVID-19 and COVID-19 Hates me
    • One City, Two Voices – NP
    • Marry Europe, or Little Match-Seller
    • Walking on Water According to Dr. Kneipp
    • The Rights
      • The rights, I am Bosnian
      • The rights, I am Macedonian
      • The rights, I am Romanian
    • West. Video
    • EURO ( After M. Abramovic)
    • Glass Factory 1954-94, revisited 2007
    • Give ’em Hell
    • Foreign Language for Beginners
    • Wild and cultivated fruit market
    • Advanced Science of Morphology
    • In Search of Justice
    • Humane Communism
    • Obstacles in Becoming Foreign
      • Diktashion
      • Where are you from?. Video
  • EXHIBITIONS
    • 2021
      • In Common
    • 2020
      • Innsbruck International Biennial of Art
      • AdaN, a Call to Borrow
      • Panic room Or: Leap Into Thinking
      • Anti-festival of Mutations: In Limbo
    • 2019
      • Adan at the City of Fire
      • All That We Have in Common
      • Animai Libars
    • 2017
      • Remastered – the art of appropriation
      • Acquisitions and Appropriations
      • Sculptural
      • Imaginarium: contemporary video art from Macedonia
      • AKTO Festival
    • 2018
      • Strategies of Undoing
      • From Diaspora to Diversities
    • 2016
      • Double Feature # 4
      • Worket Who Can Not Speak English is No Worker
      • Humanistic Communism (Public Space Intervention)
      • Nation / Emancipation
      • Teatri I Gjelbërimit
      • In Search for Common Ground
      • In Search for Common Ground München
      • Where (not) to go?
    • Wie du Mir
    • Sculptural
    • 2015
      • Nationless: A Continuous Struggle
      • Waiting for RAVE
    • 2014
      • SOLIDARITY – an incomplete project?
      • La Bienal del Fin del Mundo
      • Seconds.
      • Demoralised Idealism
    • 2013
      • The unbearable lightness of being an artist
      • How is it Toward the East?
      • Imagined Communities
    • 2012
      • Condensation
      • LOOPHOLE TO HAPPINESS / Bratislava
    • 2011
      • Kapitalismus Show is Over Insbruck
      • Should I Stay or Should I Go (solo)
      • LOOPHOLE TO HAPPINESS / Praha
    • 2010
      • Should I Stay or Should I Go
      • Loophole to Happiness (Lodz)
      • Loophole to Happiness (Budapest)
      • Wild and Cultivated Fruit Market
      • Bless my homeland forever, I, too, will try to forget…
      • Places of Migration
      • Unexpected Turns
    • 2009
      • THE 28TH BIENNIAL OF GRAPHIC ARTS
    • 2008
      • Taiwan International Video Art Exhibition
      • tit.for.tat. Counter Images for Transcultural Thinking and Acting
    • 2007
      • Recognise
      • Agency for Serious Interests
    • 2006
      • Sweetest Dream, Unity and Dissonance in Europe
    • 2005
      • Temporary spiritual remediation intimate urban re-vision
    • 1999
      • Extension of the frame
    • 1998
      • 1111 Portrait
      • SEFair
    • 1997
      • Icon on Silver
  • CATALOGUES
    • SOLO Exhibition Catalogues
      • Subversion to Red 58th La Biennale di Venezia
    • GROUP Exhibition Catalogues
    • MPhil Thesis
    • The Aftermath of Public Art Projects (book in progress)
    • Pavilion (book in progress)
  • BIBLIOGRAPHY & REVIEWS
    • Other Published Materials
  • OTHER ACTIVITIES
    • LECTURING
    • CURATING
      • Exhibitions Curating
      • IN SITU ART FAIR / Artistic Director
    • WRITING
      • MPhil. thesis
  • CONTACT

Second Chapter

Second Chapter, by Nada Prlja. 1996. 6 jars, silk screen print, water.
Second Chapter, by Nada Prlja. 1996. 6 jars, silk screen print, water. (detail)
‘Extension of the Frame’ exhibition catalogue, 1998, Exhibition curated by Sonia Abadjieva
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